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{"id":3529,"date":"2023-03-31T14:41:13","date_gmt":"2023-03-31T14:41:13","guid":{"rendered":"http:\/\/emilyscaife.com\/?page_id=3529"},"modified":"2024-02-24T17:38:50","modified_gmt":"2024-02-24T17:38:50","slug":"testimonials","status":"publish","type":"page","link":"http:\/\/emilyscaife.com\/testimonials","title":{"rendered":"Testimonials"},"content":{"rendered":"
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“Emily was a total pleasure to work with on our music visualizer project – super thoughtful, communicative, and a genuinely thorough\u00a0planner. She was able to take our conversations with the artist & existing album artwork, and expand on the visual and aesthetic world of the record, in a way that was both seamless AND helped take the music in new directions visually. I’d recommend her to anyone.”<\/h4>\n

Libby Webster, Marketing Director, The Glow MGMT<\/strong><\/em><\/h4>\n

“We worked with Emily on an animated music video for our artist Bill Fay, the video that Emily created was beautiful and worked wonderfully with the piece of music. The process was also great; Emily brought her visual concept to us and was open to input from both label and artist to create a truly fitting visual accompaniment. A highly creative, enjoyable and successful experience.”<\/h4>\n

Miles Johnson, Senior Art Director, Secretly Group<\/strong><\/em><\/h4>\n

“Emily is a very talented animator and editor and has been absolutely brilliant to work with on Greenpeace videos. She has worked with us on a variety of content and brings a wide range of skills including hand drawn animation, cut outs and graphics, as well as straight edits. She brings a lot of creativity and fresh ideas to each project and is great to\u00a0collaborate with.\u00a0She has an excellent eye for both storytelling and style, and has a good ear for sound design too. I wouldn’t hesitate to recommend\u00a0her and I’m looking forward to working together\u00a0again soon!”<\/h4>\n

Anna Wells, Video Producer, Greenpeace<\/strong><\/em><\/h4>\n

“Our team had a great experience working with Emily! Throughout the entire process she was professional, timely, communicated well, and delivered exactly what we were looking for. The animations she created for us were beautifully done and complement the film so well. We’d highly recommend working with her.”<\/h4>\n

Katy Baldock, Producer, Fin and Fur Films\u00a0<\/strong><\/em><\/h4>\n

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“When we first came across Emily\u2019s work, we absolutely loved it – so when she agreed to work with us on two music videos to accompany our album campaign back in 2018\/19, we were delighted. From the start Emily was amazing to work with. She was full of exciting ideas and was interested in discussing concepts together. In this way, she is a thoughtful collaborator and she was able to tune into a visual language that not only suited our music, but elevated it! Both of the videos she made for us blew us away. Her grainy animated aesthetic was so visually striking she agreed to let us use a still for the album cover. (Thank you again)<\/h4>\n

During the process, we felt 100% trust. Emily was self-directed and made the whole process so easy for us, keeping us updated, sending occasional stills, rough cuts and working to the deadline for our release. She also helped to source shoot locations, organised lighting equipment and facilitated both shoots really professionally. Overall Emily is really fun to be around and an incredibly talented animator film maker – we could not recommend her more highly!”<\/h4>\n

Laura Copsey, Firestations \u201cThe Year Dot\u201d Lost Map Records<\/strong><\/em><\/h4>\n

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\u201cWorking with Emily was fantastic because she comes at animation from such a different place. Her approach is totally unique and is basically art. She creates moving art. Who doesn\u2019t want to see that?\u201d<\/h4>\n

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Tom Baker, Creative Director, Kong Studios<\/strong><\/em><\/h4>\n","protected":false},"excerpt":{"rendered":"

“Emily was a total pleasure to work with on our music visualizer project – super thoughtful, communicative, and a genuinely thorough\u00a0planner. She was able to take our conversations with the artist & existing album artwork, and expand on the visual and aesthetic world of the record, in a way that …<\/p>\n